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Ikebana
(literally "living flowers") is the Japanese art of flower
arrangement, also known as kado--the way of flowers.
In
contrast to the decorative form of flower arranging in western countries,
the Japanese flower arrangement creates a harmony of linear construction,
rhythm, and color. While westerners tend to emphasize the quantity
and colors of the flowers, devoting their attention mainly to the
beauty of the blossoms, the Japanese emphasize the linear aspects
of the arrangement. They have developed the art to include the vase,
stems, leaves, and branches, as well as the flowers. The entire
structure of a Japanese flower arrangement is based on three main
points that symbolize heaven, earth, and humankind.
The
origin of ikebana is the ritual flower offerings in Buddhist temples,
which began in the sixth century. In these arrangements, both the
flowers and the branches were made to point toward heaven as an
indication of faith. A more sophisticated style of flower arrangement,
called rikka (standing flowers), appeared in the fifteenth century.
The rikka style reflects the magnificence of nature and their display.
For example, pine branches symbolize rocks and stones, and white
chrysanthemums symbolize a river or small stream. The rikka style
became popular in the seventeenth century, and it was considered
as a decoration for ceremonial and festive occasions. Yet, today,
it is regarded as an antiquated form of flower arrangement and rarely
practiced anymore.
The
most significant changes in the history of ikebana took place during
the fifteenth century, when the Muromachi shogun Ashikaga Yoshimasa
(1436- 1490) ruled Japan. The large buildings and small houses that
Yoshimasa had built expressed his love for simplicity. These small
houses contained a tokonoma, or alcove, where people could place
objects of art and flower arrangements. It was during this period
that the rules of ikebana were simplified so that people of all
classes could enjoy the art.
Another
major development took place in the late sixteenth century. A more
simple style of flower arrangement called nageire (meaning to throw
in or fling in) appeared as part of the tea ceremony. According
to this style, flowers are arranged in a vase as naturally as possible,
no matter what materials are used. Because of its association with
the tea ceremony, this style is also called cha-bana ( literally
"tea flowers").
In
the 1890s, shortly after the Meiji Restoration, that leaded the
modernization and Westernization in Japan, there developed a new
style of ikebana called moribana (piled-up flowers). This style
appeared partly to the introduction of western flowers and partly
to the westernization of Japanese living. The moribana style, which
created a new freedom in flower arranging, is used for a landscape
or a garden scene. It is a style that can be enjoyed wherever it
is displayed and can be adapted to both formal and informal situations.
Along
with tea ceremony and Japanese
calligraphy, ikebana was one of the arts in which women were
traditionally schooled in preparation for marriage. Today, flower
arrangement is venerated as one of the traditional arts in Japan.
It is practiced on many occasions like ceremonies and parties, and
modern people are still choosing to study the art.
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